Joel Joel

Chinese and English in BC's Lower Mainland

I've been doing a lot of thinking about the place of "Chineseness" in the linguistic/cultural landscape of Vancouver/BC/Canada. In 2010 my friend Ai Mizuta and I did a presentation at IAWE about the "Chinese/English Interface" in Vancouver; I still see this as an important and interesting issue but I think it needs to be expanded to include language ideology and language policy at both the macro and micro level. I've been trying to develop a hypothesis about the place of Chinese linguistic (and indeed cultural) literacy in this geographical area but every time I try to say it in a short sentence I get tripped up.

There's a sense in which Chinese lx/cultural literacy is "underground" in Vancouver, but it's hard to see Chinese as a 'minority' language in some ways. For example, 76% of people who live smack dab in the middle of Richmond speak Chinese as their primary language (the three blocks between Granville St and Westminster highway next to #3 road). I think the total number of people in BC who speak a Chinese language is close to 30% of the total population (compared to around 1% French? These are old and maybe mis-remembered numbers). Yet Chinese-language businesses tend to be described in the mainstream media as having an air of, I don't know, "secrecy" about them? Like almost literally going back to the turn-of-the-century racist caricatures about Chinese "inscrutability?"

It is true that multiple Chinese-language Uber-like ride-hailing services, which are illegal in BC, seem to be currently running here. It's also true that Chinese-language para-educational companies that provide services many faculty members and administrators would view as somehow unethical operate, and my sense is that they operate in part because the mainstream view in Vancouver is that Chinese doesn't exist.

I don't mean it literally doesn't exist. I mean that it is something that is assumed not to actually be a part of our (un/)official shared discursive world; this is in part because of Canadian language policy, which enshrines only two languages (French and English) as official, but it's also in part because of a long history of straight-up racism and marginalization of Chinese people since the founding of this province.

I think about the Chinese-language linguistic landscape of the campus where I work -- advertisements for education, food delivery, events, etc. -- and I wonder what other domains we see Chinese being prominent in here. Real estate, certainly, but really you can find it almost anywhere. I live in one of the "whitest" neighbourhoods in Vancouver (allegedly) and I can see Chinese-language signs from where I sit in this cafe. There are four or five businesses with Chinese-language signage on my block alone. This is to say nothing of the ongoing and often bizarre "Chinese sign controversy" in Richmond which has resulted in a city bylaw "encouraging" but not enforcing all signs to include at least "50% English." This is an issue that will apparently not die, as its champion is now running for city council in Richmond. [UPDATE: She lost.] I don't live in Richmond, but the way that this stuff gets talked about in online news comments (forgive me for reading them) strikes me as stomach-turningly racist and xenophobic.

This doesn't mean that these things shouldn't be studied, though; in fact it probably means the opposite.

What methodological tools are useful, I wonder, for a study that would look into both the empirical "status" of the Chinese language vis-a-vis English and other languages in this urban linguistic landscape, but that would also account for the ideological marginalization of the language and its speakers vis-a-vis English and other languages? I get the sense that due to the political situation it is inevitable that Chinese exist in some kind of dynamic relationship with English here. I don't know how to go about studying or explaining this, though.


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Joel Joel

Plagiarism and Ritual

1. In "the west" we understand plagiarism as misrepresenting "someone else's words" as "your own words," or putting your name on someone else's work.

2. The idea that you can "own" words is dubious, but the idea of putting your name on something someone else laboured over seems pretty clearly "wrong" to most of us educated in the western/north american liberal arts milieu.

3. There are many situations, in many cultures, in which social structures -- rituals -- call for the rote recitation of long "word-ensembles"*.

4. E.g., liturgies and standardized tests.

5. There may be ritualized situations which some of us would see as calling for "self-expression" in which others would see as calling for, essentially, recitation. Consider:

6a. An evangelical church I know recently featured a sermon which was mostly the pastor telling anecdotes about his life;

6b. a Catholic church I know recently featured a homily which the priest appeared to have found on the website of another parish and read aloud.

and

7a. When confronted with a standardized test or high-stakes writing assignment, I (and many of my students) generally attempt to produce something that I would characterize as "original," personal, in some sense made-up ex nihilo, inasmuch as this is possible, on the spot;

7b. when similarly confronted, some students I know will rely on a previously memorized essay read in a textbook or online, or will copy another student's essay, or pay someone else to write an essay**.

8. Whether a or b, in both situations, a ritual obligation has ben fulfilled: a sermon has been delivered. An essay has been written. What was called for has been provided.

9. One can easily generalize and say that the "white" / "english" /  north american Protestant way calls for "originality" while the "ethnic" / "non-english" non-western Catholic way calls for something where what is given is re-presented.

But the lines blur.

10. In both cases, genre expectations are fulfilled. Understandings of authorship may differ; the notion of the lone genius seems to loom larger in the imaginations of those who would lean A rather than B. But even in the case of A, there is much language-re-use, there are ritualized, reified moves. Even in the case of B, there are "individual" flourishes, customizations.

11. We all seem to know intuitively the demands of genre: rituals must be carried out. The essay must have an introduction, a conclusion. The meme must have this picture and this grammatical structure. But the rules of how 'originality' functions in the creation of texts are occluded to the point of being almost impossible to discern. Who am I to be "original?" I'm not God!  "I ain't never read my own words before!"

12. If I can't even tell you how my own writing is "original" and yours isn't, how can I ask you to do it my way?

*this term from the Catholic theologian Paul J. Griffiths' chapter "Kidnapping," a "theological defense of plagiarism."

** to be honest, I use the term "essay" extremely loosely here.
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Joel Joel

Students and Faculty Don't Agree about Cheating

From a 2012 study at Waterloo University (https://www.uwo.ca/tsc/resources/publications/newsletter/selected_articles/academic_integrity_survey1.html)


Incidence Seriousness
Students Faculty    Students Faculty
1. Unpermitted collaboration 48% 64% 33% 80%
2. Getting questions/answers from someone 32% 38% 68% 94%
3. Copying a few sentences from internet27% 80% 76% 90%


From, I believe, a 2002 study in the US and Canada - I don't know if this one is prevalence or seriousness - I assume seriousness. (http://www.sfu.ca/integritytaskforce/donmccabe_slides.pdf):





By far the trickiest thing here is writing. Faculty think that "copying sentence from the internet without citing" happens WAY more than students do, like almost 3 times more. Similarly, the McCabe study treats plagiarism, "cut and paste," and paper from mill differently, but I have a feeling many students and faculty would have different understandings and definitions of these things.



My informal surveys of first year-students, local and international, overwhelmingly get this answer:
" I don't really see much cheating and it's not a big deal."

My conversations with faculty members overwhelmingly get this response:
"cheating is rampant, especially among international students."


Is this a clear case of right and wrong? Different interpretations of the same phenomena? Competing discourse worlds?
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Joel Joel

Ge Chuangui's English Works Republished

This is huge! A pioneer of English education in China during the republican period and beyond, Ge is best known for his Chinese-English dictionary, which is still in print, his textbook The Writing of English (英语写作), and to contemporary scholars probably for his coining of the term "China English" in 1980. He died in 1992.

I hadn't checked for a while but I just googled him and found that a Shanghai publisher has  in the last few years issued, as best as I can discern, three volumes of his work. (Check Amazon.cn here, for example.) These appear to be collected essays, some of them originally collected in books in the 1930s-40s (?).

The picture is from this blog which sheds a little light on the subject, though it's mostly in Chinese.

What interests me most about Ge is what we can learn about the history of the discourse of English in China from him. I don't mean to imply that if we can discern his ideology, methodology, etc of English education we can prove that for sure that's what China was all about in the 1930s, it could at least be one source of triangulation. (If triangulation is even a thing in what I will now audaciously refer to as "historical applied linguistics," a phrase I do not see used very often if at all.)

What little I know about his work is intriguing, though; at the very least, his work and its prominence suggest certain things like:


  •  an emphasis on vocabulary knowledge as a measure of English proficiency (his most famous work, after all, is a dictionary)
  • a deep connection to the "foreign" sources of English, in a kind of humanistic tradition; certainly this is related to the ti-yong thing
  • A deep emphasis on correctness, but also practicality
  • crucially, the use of English among Chinese speakers for personal/professional/cultural reasons (what those reasons are, I can't say without evidence, and more serious thinking; Lu Xun certainly thought that Chinese intellectuals were peculiar for speaking English to each other)

This just scratches the surface, of course. I need to get my hands on these books, and as soon as I can figure out how, I will order them shipped here to Canada posthaste.

Cut and pasted below is a letter purportedly from the venerable British lexicographer H.W. Fowler, a month before he died, to Ge (or as he was somewhat unsually known, "Hertz C.K. Ke"). I don't know much about its veracity, but it's often said of Ge that he wrote to Fowler to correct alleged mistakes in Fowler's work. The first two sentences seem to me to say so much about the state of English in the world, and in China, both in 1933 and now:

I find no difficulty in believing that you will attain, if you have not already attained, your ambition of writing English as no other Chinese can; for your letter is in faultless English, and, long as it is, nowhere betrays, as nearly all foreigners' letters do by some trifling lapse in idiom, that its writer is not an Englishman.

I often say this, and sometimes it is not true, but: more on this later.








24 Nov., 1933
Dear Sir,
I find no difficulty in believing that you will attain, if you have not already attained,your ambition of writing English as no other Chinese can; for your letter is in faultless English, and, long as it is, nowhere betrays, as nearly all foreigners' letters do by some trifling lapse in idiom, that its writer is not an Englishman. I receive many letters in English from foreigners, but do not remember ever having had occasion to say this before. If this statement can serve you in anyway, you are free to make use of it.
Your comments upon points in The King's English are all acute and pertinent, and I am greatly accepting the corrections of misprints and wrong references that are among them. The wrong reference are due to the change of paging for the third edition; I corrected many such, but some escaped me.
I have read all your criticisms with care, and find that I should be ready to defend what we wrote in all, or nearly all, cases; but I regret that, owing to pressure of work, old age (75), and failing eye-sight, I cannot comply with your request for explanations, or argument -- except for one or two general remarks. Many of your criticisms turn on the fact that advice given in M.E.U is not acted upon in K. E. Well, K. E was written some 20 years earlier, and M.E.U represents my later views and is to be taken as superseding the earlier book where the two books differ; It was hardly possible to bring K.E into conformity on points where what is laid down in M.E.U is merely advisory and suggests reforms that are still far from general acceptance. It is not to be expected that views should undergo no change in 20 years, but only that the later ones should be the result of careful consideration. But you remarks show the care with which you have read the two books, and I accept the compliment with much pleasure. 
Yours very truly.
H. W. Fowler
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Uncategorized Uncategorized

On What Slow Baseball Could Be

Men tell stories to their sons, loving and being loved.  Baseball is fathers and sons.Baseball is the generations, looping backward forever with a million apparitions of sticks and balls, cricket and rounders, and the games the Iroquois played in Connecticut before the English came. Baseball is fathers and sons playing catch, lazy and murderous, wild and controlled, the profound archaic song of birth, growth, age, and death. This diamond encloses what we are.  — Donald Hall

The so-called "Slow Food" movement has three tenets: "good, clean, and fair":

GOOD: a fresh and flavorsome seasonal diet that satisfies the senses and is part of our local culture;

CLEAN: food production and consumption that does not harm the environment, animal welfare or our health;

FAIR: accessible prices for consumers and fair conditions and pay for small-scale producers.

Lately, I'm thinking a lot about baseball, and where I live, and who I want to be, and what I want to teach my sons. Today I sat down with my computer, my oldest son, (who is almost six), and a piece of paper and a couple of pencils. We made a map of all the professional baseball teams in the Pacific Northwest. There are twenty-three of them, in five leagues. Whatever Slow Baseball is (which, I know, goes without saying -- a truism so true it's like the opposite of an oxymoron), it will be about baseball, fathers and sons, place, and the attempt to cultivate a life that is, somehow, good, clean, and fair. And also about some really silly-sounding baseball teams, including a team called the Pickles.

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Joel Joel

On a difficult question

Recently (very recently!) I was asked, in an interview, about my take on a controversy in applied linguistics: what's your political stance, I was asked, on Ryuko Kubota's critique of "multi/pluri" approaches, which she argues are essentially supportive of neoliberalism:

 the conceptual features of the multi/plural turn overlap with neoliberalism and neoliberal multiculturalism, which uncritically support diversity, plurality, flexibility, individualism, and cosmopolitanism, while perpetuating color-blindness and racism. 

(Kubota 2014)

The question, I take it, was: what do you think of this? Do you agree or disagree? Why or why not?

I'm a bit haunted by the answer I gave; I think this question is so complicated that I find it almost impossible to answer. What I remember saying was something like: "I have to be honest, I don't really have a political stance on this." I continued to say some things I don't remember well, but mentioning my having studied with Terry Santos and having been impressed by her straightforward defense of pragmatism; having later encountered scholars like Pennycook and Canagarajah, the latter of whom is probably the contemporary scholar whose approach to language I most resonate with, and seen great value in their work; choosing not to enter into "debates" about critical perspectives because I don't find it productive to declare myself in one "camp" or the other.

Several people in the room went back and forth on this -- am I declaring myself "neutral?" Some seemed to think I was. I said I don't think anyone can be politically "neutral," just that I don't have a strong opinion on one side this debate; another asked a question about what the source of my values in this area was, and I cannot remember exactly what I said -- I believe this is where I talked about using different approaches, and mentioned using Matsuda & Matsuda's (2010) approach of teaching about differences and consequences of unconventional language use.

The final few things I remember saying were that it isn't that I want to evade the question of politics in EAP/applied linguistics (in fact literally the first article I can remember reading on second language writing was about this!), but that I think about these questions constantly, that my mind is paralyzed by them, and that I'm still working out what I believe. I described my research as being driven by a kind of "naive, dumb curiosity' about my work -- who am I teaching? what is this class about? why is it done this way? who are my students? how do they write and why? what do they believe? and so on -- rather than theoretical commitments per se.

I remain unsatisfied by my answer -- and I'm sure some others in the room did too -- because there is so much more to say. I've never been able to finish the paper based on a presentation I did about using Wendell Berry's theory of language to critique the embrace of globalization that seems to be inevitable the ELT profession, because I see the issues as so complex, personal, and intractable.

Here are some points I might have wished to mention in my answer, if I could do it over:

1. I am unequivocally "against" any understanding of the world that would emphasize economic benefits to countries and corporations (rather than individuals and families), the "progress" of technology and science (often to the detriment of traditional ways of living and working), and an economic view of people as “human capital” rather than unique beings with inherent dignity. This to me is antithetical to The Good Life, for anybody. 

2. In that sense, I'm "against" supporting "neoliberalism." It might be true that promoting "fluid" approaches to language resonates with "fluid" approaches to economic globalization, which harms a lot of people, but it might also be true that these approaches represent an accurate understanding of how language functions for many people in the world, and it might even lead to better language teaching. I don't think we know yet.

3. Despite all this, we have to recognize where we live and work, who we are and who our students are, in the world of higher education. We all find ourselves -- perhaps for different reasons -- in a world of unimaginable privilege, comfort, and ease, by both historical and present-day standards. The university as we know it is modern western post-industrial middle-class Thing. (Perhaps it doesn't have to be so;  it wasn't always; many other models of education are possible.) Many of our students -- and clearly, we ourselves, I myself, as a well-paid, medically-benefitted, defined-contribution-pension-planned faculty member -- am deeply invested in the continuing success of the global economic order even though I believe it is probably, in some ways, intrinsically evil. (Not a term I use flippantly!) This is a bitter pill, a troubling paradox, and not something I expect to be able to come to terms with for a long time. 

4. On a personal note, when I got into this field, I assumed I would teach immigrants and refugees, who I assumed would be poor and marginalized. Instead, I've found myself teaching mainly relatively affluent international students. There's nothing wrong with being either one of these types of people, of course. I want to teach my students well, and to help them to grow into the types of people they want to be -- to succeed, to flourish, to make lives for themselves that are meaningful. I desire -- I often fail, but I desire -- to live a life that is other-oriented, selfless, driven by compassion and service. I might hope this for everyone else, too, but I don't know exactly what beliefs, what habits of mind and life, will lead to the world I say I want. I shy away from traditional "critical pedagogy" because I don't think its politics are self-evidently truer than any other honest approaches to positive social change, but I want to teach language and about language in a way that will encourage students to use it in ways that contribute to a better world -- however they might understand that.

5. One thing about Kubota's pushing back against "multi/pluri" approaches that I agree with is questioning the degree to which it benefits the scholars who promote it -- among whom I count myself. A troubling aspect of social science publishing is that it can look like a kind of "mining" -- we, affluent scholars in peaceful, developed countries, clearly use research about and thinking about people in other parts of the world, people who don't have it as well as we do, to further our careers. We just do. We can work for justice and help those people in whatever ways we deem appropriate; I try -- I often fail, but I try -- to literally give a percentage of my income to benefit them, but I benefit from my writing about them just the same. This is troubling, but it also don't feel totally wrong to me. I am reminded of what the writer Chris Hoke, whose work is about Latin drug gangs, said when I asked him whether he felt conflicted about telling other peoples' stories when he himself is a middle-class white dude. He said that the typical response he gets from his gang-member friends is, "Yeah, I want you to tell my f---in' story!"

I wish I could have said all this, and more -- that ultimately, I believe, if you couldn't tell by the somewhat coded religious language I frequently use when talking about this stuff -- that every human person is of infinite worth and dignity, that the only possible way forward in education and in life is "acting intentionally, in sympathetic response to others...to promote well-being when responding to acts or structures of existence that promote ill-being” (to quote the theologian Thomas Oord), and that I don't know what that means when it comes to debates in contemporary applied linguistics but that I want to continue pursuing it, even if I do it badly, at all costs.

But I didn't say any of this; at the time, I felt like Winona Ryder in Reality Bites when an editor asks her to define "irony." Today I feel a little more like Ethan Hawke. (Not a sentence I often produce.)

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Joel Joel

starting year 3 (or 11?)

This September marks my tenth year as a university instructor (2 in China, 6 during my PhD, and 2 as a "real" faculty member). Here are ten things on my mind at the beginning of the eleventh.

1. Starting the schoolyear with a concussion feels like an apt metaphor for my present life. Everything makes me tired, and I have aches and pains that come and go unexpectedly and are troubling, but underneath it there's a grim determination to carry on and do good work under the circumstances. Maybe a little more slowly.

2. I watched a small boy throw up on his desk in a kindergarten classroom this morning. This also felt apt.

3. I'm realizing more and more that I can't force people who have more power than I do to make better (in my eyes) decisions. The challenge is to figure out how to balance what "the System" says you have to do with what you think is genuinely beneficial to students. If I let myself get too discouraged by fighting losing battles about curriculum, I'll go nuts.

4. I'm less certain than ever about how research intersects with my job, but still plugging away at some possibly interesting projects.

5. From Sept 1, 2015 to Sept 1, 2017, my yearly salary has increased by approx. 13%. This is mostly due to union stuff -- collective bargaining, cost of living increases, etc. -- but some of it is merit-based, and I feel very blessed.

6. On an unrelated note -- or perhaps not -- a senior colleague recently commented that it was too bad I couldn't get a "good position." I feel more acutely the TT/NTT divide than I used to. I'm not sure if this will continue, and I hope that whichever side of that divide I were on I'd want to engage it, because it's weird and bad.

7. Somewhat related to #3: one of my main goals for the centre where I work this year is to lead a committee looking at an initiative to implement a university-wide first year EAP program. I'm really excited about this, but I can also imagine getting so wrapped up in it that I get really burned out and disappointed by the inevitable roadblocks. Looking at student language/writing stuff from the institution's perspective -- or from administrators' perspectives, I guess -- can be very disorienting and discouraging to a workaday instructor. But it doesn't have to be.

8. Another major project this year: I'm co-chairing the Symposium on Second Language Writing here in Vancouver, the first weekend in August. It'll be held at the downtown campus of my university. This will be a ton of work, but I'm looking forward to it.

9. I'm also supposed to be working on/finishing a book for Cascade, which I really want to do but haven't been able to find the time to.

10. Also, I have to apply for permanent residency in Canada this year, ASAP, so I can keep my job. Yeep!

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Joel Joel

Tips on (or Genre Features of) Academic Blogging


I wrote this for a class I taught last year, but I thought it was useful enough to post here.

Academic blog posts can be written in a freer and looser style than traditional academic writing. Feel free to write about academic subjects in a more conversational way – using contractions, slang, and colloquialisms is appropriate, to a degree. You don’t have to do this, but getting your point across is more important than following the conventions of Writing a Good Term Paper or whatever.

Think about how much ground you’re trying to cover. A short blog post (1000 words is more like a maximum than a minimum for blog posts) can only probably cover one issue in detail – don’t try to tackle every aspect of a complex issue, but focus in on what interests you (and readers) the most.

Write for a “general reader.” (Even though multiple editors have told me that no such person exists.) Imagine a well-educated reader who does not know much about your topic – maybe a well-read fellow student who hasn’t studied the things you have. This will mean avoiding jargon and explaining things that might not be familiar to non-specialists.

Linking is one of the great advantages of academic blogging – rather than having to scroll down to a reference list, readers can click right on whatever you want to point them to. There are no rules about how to do this, but in general, it helps to give readers a sense of what they’re getting into when they click – probably at least some combination of author, title, publication, and general topic will be useful. Feel free to link to anything you think will be of interest.

Brevity and readability are probably bigger concerns in blogging than they are in traditional academic writing. Consider writing in relatively short paragraphs. (Speaking of paragraphs, indentation is not necessary and looks weird online – leave a space between paragraphs instead.) The use of lists and bullet points can be beneficial in getting your point across.

On a related note, images and other design considerations, like headings, fonts, the use of space, and so on, are much more important in blogging than in traditional academic writing. Think about how the visual organization of your post impacts the reader. Would supplementing a post with an image of the thing you’re writing about help readers understand your topic? Would headings help readers understand where you make shifts in topic or argument? Could visuals that are not directly related to your argument add something to the post? 

(Don't forget to use images that you have permission to use without paying for – read this for a useful primer.)


Finally, the following articles offer useful advice on academic blogging in general:
  • Seven reasons why blogging can make you a better academic writer Pat Thomson, Times Higher Education
    https://www.timeshighereducation.com/blog/seven-reasons-why-blogging-can-make-you-better- academic-writer
  • Effective Academic Blogging
    Joe Essid, Writer’s Web http://writing2.richmond.edu/writing/wweb/blogging.html
  • How to Write an Academic Blog
    Corey Tomsons, Thought Capital https://thoughtcapital.wordpress.com/2007/03/11/how-to-write-an-academic-blog/ 
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Joel Joel

On Shadow Academia

I've been kicking around this notion of "shadow academia" for a couple of years, inspired by the definition of Shadow Cabinet from the British parliament system:

The Shadow Cabinet is a feature of the Westminster system of government. It consists of a senior group of opposition spokespeople who, under the leadership of the Leader of the Opposition, form an alternative cabinet to that of the government, and whose members shadow or mark each individual member of the Cabinet.[Wikipedia]



Shadow Academia as I am coming to conceptualize it describes the activities of a group of academics usually (but not always) outside of the Anglophone Centre (US, UK, Canada, Australia, New Zealand) whose activities and scholarly output resemble those of the Anglophone centre at a surface level and are done in ways that somehow mimic "traditional" Anglophone-centre academia, but are not recognized by and/or are clearly and deeply sub-par when compared to "traditional" academia. I have to be careful here, because good work can be and is done in shadow academia, but its key feature is mimicry or aspiration to appear to be Anglophone-centre without being so. This is a loose definition that I'm just trying to develop, so bear with me, but I think Shadow Academia includes, on both the student side and the scholar side, what I'd call "para-academic" institutions and practices.

These include, on the scholarly side:

(Potentially) predatory journals and publishers: Much has been written about this, and a colleague and I have a book chapter on the subject out soon, but essentially these are publishers that charge a premium for a rubber-stamped "peer-reviewed" publication. Crucially, these journals/publishers are frequently branded as "international" and are published in English, and the majority of the scholars who publish in them are from the Middle East, Asia, Africa, and Eastern Europe -- places where the requirements for promotion are strict and involve publishing in English-language international journals. Not all these publishers are strictly "predatory" -- many exist in a copacetic and symbiotic relationship with academics in non-Anglophone-centre contexts who need the publication venues and are unable to get published in more "mainstream" journals. Graduate students in the Anglophone centre are often taken in by these publishers, publishing articles in journals that only sound legitimate or publishing dissertations with vanity presses. While these things can help scholars in other contexts, they can damage the careers of people aspiring to work in the Anglophone centre.

Spamferences - Similar to predatory publishers, these are conferences that exist pretty much solely to pad CVs, make money for organizers, and, occasionally, give academics excuses to travel to tourist destinations.

The next two on my list are more student-facing, and rather than mimicking Anglophone-centre practices, they exist in tandem with or in a sort of meta-relationship to Anglophone-centre academic institutions and practices:

Ghostwriting/contract cheating services: These exist in an interesting grey area between legitimate and necessary services like editing and tutoring. Often targeted at international students via flyers on university campuses or social media platforms, these are basically paper-writing services staffed by grad students or out-of-work PhDs who will write pretty much any academic paper, from a short essay to a thesis or dissertation, for a chunk of cash. I can say anecdotally that there's a perception among academic staff that this type of cheating is rampant among international students -- particularly those from China -- in the Anglophone centre. I personally don't believe this, but I've been surprised in the past and hope to do more research on it.

Test prep, study abroad prep, and study abroad agencies -- I mostly know these in a context that involves the Chinese international student diaspora, if you will, though they all exist across the globe. This is basically a para-academic industry focused on prepping students to go abroad. New Oriental is the prime example, but there are myriad businesses with varying degrees of legitimacy and/or shadiness. Some are clearly unethical/illegal -- stories of faking credentials abound -- but others are more ambiguous, like the tutoring/exam prep services advertised at my institution, taught by recent graduates who can provide current students with notes, copies of old exams, etc.


There are probably more businesses that would fit into the rubric of Shadow Academia (holler at me with suggestions), and I'm not sure that all four things listed above all belong in the same general category. But the fact is, these mini-industries would not exist if there were not a huge demand for education and/or scholarly activity that is perceived to have at least the four following allegedly positive qualities:

  • English-medium

  • International

  • "Western"

  • Association with "Highly ranked" universities 

This is what I'm thinking so far. This is more complex than I've had time to get into here, but this is developing. Let me know what you think.





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Joel Joel

On doing writing but not composition

I wrote this on this bus this morning, inspired by Frederik DeBoer's piece " We Don't, In Fact, Know What Works in Composition.

While a large portion of my teaching and research involves the teaching, learning, and practice of academic writing (much of it at the undergraduate level), I do not or cannot primarily consider myself a “compositionist.” There are a two major reasons for this that I can discern:

1)    My academic training. I have an undergraduate degree in English literature and “creative” writing, and an MA in English, but after that I made a fairly clean break with “English” as a discipline. (I’ve talked about thisbefore, but like many people who plant their flag in a vague territory called “writing,” I’m obsessed with disciplinarity.) Even while I was in my MA program, I aligned myself mainly with applied linguists even as I enjoyed reading and writing things for more rhetoric and composition oriented courses. Doing a PhD in language and literacy education and becoming firmly ensconced in the world of scholarly applied linguistics and English language teaching (even though, again, I primarily have taught writing across my career) has made me feel more acutely the gap between what I know about and what people who work in English departments know about. I went to MLA precisely one time, and even though there were people whose work I’ve read and who you could say are somewhat “in my field” there, overall I felt alienated and bemused. I will attend my first CCCC this year; I have a feeling I’ll feel a little more at home there, but not as much as I would at AAAL, TESOL, or (especially) SSLW. I commented at SSLW two years ago that identifying as a second language writing scholar actually makes me feel more confident about being able to fall in with various crews at different conferences. I don’t know if I feel equally at home in all the conferences I go to, but I could imagine continuing to rotate between, say, AAAL, TESOL, CCCC, and SSLW (with a side of IAWE) for some time without feeling too out of place. (The ability to do this is probably largely thanks to Paul Matsuda, who is active in all those organizations, as far as I know. Matsuda is probably an unconscious model for many young L2 writing scholars, his prolific output and late-night hours notwithstanding.)


2)    My location in Canada. I’m only now, after 6 years of PhDing at UBC and 1 1/2 years into my first job at a Canadian university, coming to terms with the blessing (not curse) of working on writing in the Canadian milieu. At first I was frustrated that in Canada there is not much of a tradition of “college writing” in the way there is in the US, and that scholarship from Canadian universities is rarely recognized by those in the US who teach writing to university students. However, as I start to take another look at US-based composition studies – which I remember thinking was remarkably myopic and US-focused, even when I was an MA student 10 years ago – I’m thankful that I can do “writing stuff” in Canada without getting mired in the kinds of political and cultural issues that US composition does. Not that they don’t do good or interesting work – many of them do – but many (not all) US comp teachers, when I encounter them at conferences, seem to have an interest in doing something that doesn't look all that much like the work I’ve been doing at Canadian universities for the last 8 years. That said, work on academic writing in Canada is – or can be – a small community under a big tent. There are people who do political and cultural studies work under this tent, and there are teachers of technical writing, and people who run writing centers, and applied linguistics, and so on. It’s my hope – through my recently begun co-editorship of the Canadian Journal for Studies in Discourse& Writing/Redactologie—to bring as many people under this tent together as possible. I don’t know what this means for our relationship to US composition – and I’m reluctant to use a word like “our” there or to even suggest that I know what it would mean for “Canada” and “America” to have a “relationship” in this field – but I hope to be able to play some part in building a small but broad community of scholars who care about, among other things, writing in higher education.
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